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Color Use Guidelines for Mapping and
Visualization (by Cynthia
A. Brewer).
The graphic display of data plays a critical role in visualization
and exploratory data analysis. Appropriate use of color for data display
allows interrelationships and patterns within data to be easily observed.
The careless use of color will obscure these patterns. When color is
used `appropriately,' the organization of the perceptual dimensions
of color corresponds to the logical ordering in the data. The
color scheme typology I present matches a comprehensive listing of the
ways in which data are organized with corresponding organizations of
hue and lightness. The scheme guidelines are limited to the use of color
to directly represent data that occur at locations in the graphic where
colors occur. The types of thematic maps to which these guidelines apply
are choropleth maps (for example, census tracts filled with colors representing
the percentage of the population from an ethnic group), filled isoline
maps (for example, color bands that mark set ranges of terrain elevation),
and qualitative areal-extent maps (for example, different colors for
different types of vegetation). My hope is that these guidelines and
the associated terminology will also guide the work of people grappling
with data visualization challenges in diverse disciplines such as physics,
medicine, psychology, and graphic arts. A disorderly jumble of colors
produces a map that is little more than a spatially arranged look-up
table. The goal of this WWW resource is to help you do better than that
by using color with skill. This resource provides a generalized set
of color schemes and example maps.
These guidelines are described in greater detail in
two of my publications, and much of the text here is
quoted from these papers:
- Cynthia A. Brewer, "Color Use Guidelines for
Mapping and Visualization," Chapter 7 (pp. 123-147) in
Visualization in Modern Cartography, edited by
A.M. MacEachren and D.R.F. Taylor, 1994, Elsevier
Science, Tarrytown, NY.
- Cynthia A. Brewer, "Guidelines for Use of the
Perceptual Dimensions of Color for Mapping and
Visualization," Color Hard Copy and Graphic Arts III,
edited by J. Bares, Proceedings of the
International Society for Optical Engineering
(SPIE), San Jose, February 1994, Vol. 2171, pp.
54-63.
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